Article Text: HTML formatted text to come. Printable PDF of Vizier, "Fénelon ..." AttachmentSize VizierCahiers17VI2(1992)23_49.pdf373.04 KB Author: Alain VizierArticle Citation: Cahiers du dix-septième: An Interdisciplinary Journal VI, 2 (1992) 23–49Site Sections (SE17): Journal Outline (1992) Volume VI, 2Fortune des chevaliers, fortune des bergers Gracieuse vs. Grognon, or How to Tell the Good Guys from the Bad in the Literary Fairy Tale Fénelon et la questions de l'éloquence From Lazzi to Acrobats: the Court's Taste after 1680 Wit and Comic Gestures in "Le Docteur de verre," Act III from Philippe Quinault's Comédie sans comédie Facialité, grimaces et espace théâtrale chez Molière L'intraitable (Emergence de l'irrationalité moderne) L'Itinéraire de Dom Juan: Six décors pour une pièce à machines The Staging of the Sinister in Machine Plays La Dramaturgie machinique à la Comédie-Italienne (1680–1697) Molière and the Domestication of French Comedy: Public and Private Space in L'Ecole des Femmes Contesting Authority in Molière's Tartuffe: The Role of the Pedantic Characters Trois réflexions sur les autoportraits de Poussin et de La Rochefoucauld "Bien faux" and "Portrait vivant": Portraits, Mirrors and Representational Strategies in L'Astrée The Thie that Binds: Woman's Blood as Social Contract The Comedy of Authorship in Charles Sorel's Le Berger Extravagant Jouvence du récit: les métamorphoses d'Agathe dans Francion Of Innocents and Hags: The Status of the Female in the Seventeenth-Century Fairy Tale Review: Gabriel de Foigny. _La Terre australe connue. The Southern Land, Known._ Review: Ronald W. Tobin, éd. _Le Corps au XVIIe siècle_ Review: Sylvie Romanowski and Monique Bilezikian (eds.) _Homage ot Paul Bénichou._ ‹ Gracieuse vs. Grognon, or How to Tell the Good Guys from the Bad in the Literary Fairy Tale up From Lazzi to Acrobats: the Court's Taste after 1680 ›