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The Poet’s Vision and the Painting’s Speech: Molière and Perrault on the Sister Arts

Article Text: 

Printable PDF Call 124–140

Author: 
Michael Call
Article Citation: 
Cahiers XIII, 1 (2010) 124–140

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‹ La scénographie du théâtre baroque en France : quand le comédien n’était pas enfermé dans une cage up “Ce qu’on expose à la vue”: vision, illusion and interest in Le Cid ›
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