L’Esprit Créateur, Volume 62, Number 2, Summer 2022
Issue link: https://muse.jhu.edu/issue/48150
CONTENTS
Introduction: Replaying the Francophone Early Modern
Annelle Curulla
Édouard Glissant's Decolonial Theatre Practice: Histoire de nègre (Tale of Black Histories)
Emily Sahakian
The Ghosts of Slavery in Contemporary Theatre from the Francosphere
Clare Finburgh Delijani
Les Journées particulières de la Comédie-Française : Une réflexion sur l'actualité et l'inactualité du répertoire
Charline Granger
Game Never Over: Replaying History in Interactive Digital Simulation
Jeffrey M. Leichman
Des formes fossilisées du temps : Retour sur des expériences de recherche-création
Charlotte Bouteille, Tiphaine Karsenti
Discipline and Display: Replaying Libertine Sexualities and Rococo Aesthetics in Twenty-First-Century Paris
Daniel Smith
Rameau's Replay: The Reprise of Peru at the Opéra Bastille
Roberto Ignacio Díaz
Replay and Resonance: Listening to Jocasta in Œdipe (1659, Corneille) and Incendies (2003, Mouawad)
Alison Calhoun
Staging Dom Juan: How Contemporary Performance Practices Play with the Player
Clara McBride
Tartuffe in the Post-Truth Era
Emilia Wilton-Godberfforde
"The Lens of Now": Interview with Lucie Tiberghien, Founding Artistic Director of Molière in the Park
Annelle Curulla, Michael Meere
Book Reviews
The Dream of Absolutism: Louis XIV and the Logic of Modernity by Hall Bjørnstad (review)
Anna Rosensweig
Spatial Boundaries, Abounding Spaces: Colonial Borders in French and Francophone Literature and Film by Mohit Chandna (review)
Edward Welch